On top of his untouchable turntablist skills and scratch champion showmanship, the world has also recognised that Craze is a second to none club DJ - he has toured the globe over, from Jamaica to Australia to Japan to Iceland to France to the country he was born, Nicaragua. All DJing aside, Craze is also a world- renowned producer, releasing wildly successful drum'n'bass records with labels such as Virus, V Recordings and Undiluted, and other hip hop inspired productions with the likes of DMC Records, Ninja Tune Records, OM Records and K7 Records. It's the respect from both DJs and audiences alike that has paved Craze's seamless move between hip hop and turntablism to drum'n'bass - both serious subzero clique/cult scenes the globe over demanding much of any artist trying to peddle their wares worldwide; to what now sounds like club-style Miami bass, formed with the technical love of hip hop with clean cuts and ridiculously dextrous scratching, but a mix up of straight up rap, ghettotech, raw booty house, old-school electro, Baltimore/Miami bass crossover and sweaty lo-end dancefloor music, making it all but impossible to keep still. This is Craze - the man who arguably defined his hometown Miami turntablism scene, only to return now to reinvent this take on the Miami sound; a neo-genre of his own special blend of every which way club codes from the ghosts of discos past, present and future.

FABRICLIVE 38 is no exception. A rally ride though 74 minutes of no excuses dancefloor joy, shamelessly laden with guilty pleasures and block rockin' renegade styles from one of the most skilled DJs ever to stand before two turntables. Taking cuts from current darlings of the hour like Cool Kids, Bangers and Cash, Chromeo and Kid Sister to stalwart sounds from N.O.R.E, Coldcut and Tuff Crew to licks less likely from Earth, Wind and Fire, Armand Van Helden and The Chemical Brothers, this is a mix'n'blend masterclass.