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On fabric 35, Ewan Pearson tells a gripping, equivocal story; at times it's moving ("Berghain" by Aril Brikha), other times brilliantly off-the-wall (Konrad Black's take on "Honeymoon's Over"), even twists and turns towards the adulterous (100 Hz on "Trustlove") but, from beginning to end, remains completely unpredictable. Pearson has crafted a wonderfully fluid mix, shifting from abrasive, percussive workouts to sublime, sparkling electronics with ease. The mix is underpinned by a menacing sub-plot; mechanical, treated vocals and low end kick drive the story deeper.
|Artist Name||Ewan Pearson|
|quote||I think I move around style-wise, I've got quite diverse tastes. I suppose, because of the remixes I was doing 5 years ago, I've been lumped into the electro scene, but what interests me is finding exciting new records. It's that sensibility of trying to twist things slightly, trying to put things together in not such an obvious way, trying to change things style-wise. What I don't like is hearing hours of the same sort of thing. At the moment, I love techno but I don't just play sort of minimal clicky stuff. What bores me when everyone is doing the same thing. I just find the stuff that moves me and try and make it work.|
|Quote Attribute||Ewan Pearson|