We have such an attachment to words, labels and categories. Maybe it's the simplest, most rational attempt to project organization onto the chaos of our world. But why try to constrict one of the most freeing, limitless, inspiring ways to express ourselves - music. Most DJs live their musical lives desperately trying to fit into these restrictive categories, not much unlike forcing a square into a circle, but perhaps a few music creations may have slipped between the lines of all of these exacting names and genres. Tayo, a lion amongst the sheep, has used his vast, all-embracing career to point out the absurdity behind these labels. Dipping into scenes across the board as a DJ, record label owner, promoter and press officer, he's continually proved to be the linchpin between the many different subgenres crammed within the wide umbrella of bass and breakbeat culture. With a background in South London that allowed him to explore across all aspects of dub, hip hop, drum n bass and everything bass-lead, his genre-fighting fate seemed inevitable. When Tayo bumped heads with two relatively unknown producers/DJs named Rennie Pilgrem and Adam Freeland, who shared his love of edgy beats, it wasn't long before the three men found themselves deep in the buzz of the excitement that hovers around a new movement. Breakbeat exploded as a veritable scene with the arrival of their new weekly mecca: Friction, which not only put breakbeat on the map but also gave it a home. Due to success and innovation of Friction, Tayo was concurrently lumped into the category of being a full-fledged breakbeat DJ. Next came Mob Records and, with productions from Rennie Pilgrem, Stanton Warriors and Krafty Kuts, he was soon introducing the globe to his distinctive bass-heavy step.