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The primary purpose of this FABRICLIVE release is to represent exactly what Ben does as a DJ, and to give him the opportunity to showcase the different aspects of the music that he stands for. Accordingly, it is not a straightforward mix of house, bass music or techno; neither is it filled with exclusives or unreleased material. It is an indicator of where we are at and where we have come from, and a statement of intent. It is a considered and highly textured mix consisting of 28 tracks and traversing multiple styles.
Emerging from the moody introversion of Mix Mup’s “Before (Dub),” the mix starts in earnest with an aggressively distorted cut from Delroy Edwards, which bleeds into the off-kilter rhythms and sub-bass intensity of an exclusive from Pev & Kowton. From there we’re thrown into the bizarre future-tribal world of DJ Sotofett remixing Tim ‘Love’ Lee’s “The Tortoise” and onwards through tracks and decades, as Chicago Skyway’s “It’s OK” combines with K-Hand, Fluxion, Jam City, Pearson Sound and Mr. Fingers. There are truly inspired transitions here: the acid tones of “Zug Island” by Kyle Hall & Kero drip languidly over Shackleton vs Kasai Allstars’ “Mukuba Special”; the shattered percussion of A Made Up Sound’s “Malfunction” is pulled into line by the loop-driven techno of Grain’s “Untitled”; the dissonant bassline drone of Pangaea’s “Release” swallows up and consumes whole the kick-drum barrage which defines Blawan’s “And Both His Sons.”
With Hessle Audio releases represented heavily alongside labels such as L.I.E.S., Hinge Finger, Night Slugs, Hemlock and Eglo, there are clear indications of a tightly-knit community working collectively to push things forward. Ben is central to this movement, and with this mix he manages to communicate not just who he is and what he does, but ultimately where we are at.
|Artist Name||Ben UFO|
|quote||A release like this seems like a good opportunity to contextualise music for people at a time where information is spread pretty chaotically, and this mix is hopefully a good representation of how the music we release relates to the music we play in clubs.|
|Quote Attribute||Ben UFO|